Banned in the U.S.A.: The Right’s Assault on Other Women
“Ordinary, said Aunt Lydia, is what you are used to,” retells Offred in Part II, Chapter 6, of Margaret Atwood’s The Handmaid’s Tale. “This may not seem ordinary to you now, but after a time it will. It will become ordinary” (p. 33).
Readers have just been introduced to public executions in Gilead: “Now we turn our backs on the church and there is the thing we’ve in truth come to see: the Wall” (p. 31). On this day,
The men [hangin from…hooks] wear white coats …. Each has a placard hung around his neck to show why he has been executed: a drawing of a human fetus. They were doctors, then, in the time before, when such things were legal. … They’ve been turned up now by the searches through hospital records, or — more likely, since most hospitals destroyed such records once it became clear what was going to happen — by informants: ex-nurses perhaps, or a pair of them, since evidence from a single woman is no longer admissible. (pp. 32-33)
Atwood’s speculative theocracy is heavily grounded in a perverse worshipping of some women as possible vessels of childbirth since the birthrates of whites were in steep decline due to environmental toxins.
With a conservative shift in the Supreme Court in the United States under CONTINUE READING: Banned in the U.S.A.: The Right’s Assault on Other Women | radical eyes for equity
