Failing Schools: Conflicts over How to Write, Talk, and Make Films about Them
I have been a social studies teacher for 14 years in schools that were black and poor. Even before test scores determined whether a school was failing, the three urban schools I taught in were viewed as ____ (choose your favorite word: losers, basket cases, lousy, failures) because of the neighborhood in which the school was located and the color of the students’ skin. And that was over a half-century ago.
When I would read newspaper articles about where I taught then, the school often had the adjective “ghetto” or “slum” in front of it. Both were accurate insofar as characterizing students’ color of skin, family income and residential segregation that kept families where they lived but was far too simplistic in overlooking the many men and women in these neighborhoods who took pride in their homes, brought back weekly paychecks, and urged police officials to rid their streets of muggings, gangs, and drug-related crime.
Here is where my values come into conflict in writing about failing schools. I prized, then and now, the honest portrayal of unassailable facts of any low-performing school including the ones I worked in more than a half-century ago. By all academic criteria, they were doing poorly. The numbers graduating high school, dropouts, suspensions–name any school-wide metric–and they would have registered on the failing side of the ledger. The schools were in the center of neighborhoods that were different from the rest of the city as a result of Failing Schools: Conflicts over How to Write, Talk, and Make Films about Them | Larry Cuban on School Reform and Classroom Practice:
