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Showing posts with label LANGUAGE ARTS. Show all posts
Showing posts with label LANGUAGE ARTS. Show all posts

Thursday, December 24, 2020

CURMUDGUCATION: AI, Language, and the Uncanny Valley

CURMUDGUCATION: AI, Language, and the Uncanny Valley
AI, Language, and the Uncanny Valley


We experience vertigo in the uncanny valley because we’ve spent hundreds of thousands of years fine-tuning our nervous systems to read and respond to the subtlest cues in real faces. We perceive when someone’s eyes squint into a smile, or how their face flushes from the cheeks to the forehead, and we also — at least subconsciously — perceive the absence of these organic barometers. Simulations make us feel like we’re engaged with the nonliving, and that’s creepy.

That's an excerpt from Douglass Rushkoff's bookTeam Human, talking about how the uncanny valley is our best defense. The uncanny valley is that special place where computer simulations, particularly of humans, come close-but-not-quite-close enough and therefor trigger an ick reaction (like the almost-humans in Polar Express or creepy Princess Leia in Rogue One). 

The quest for AI runs right through the uncanny valley, although sometimes the ick factor is less about uneasiness and more about cars that don't drive themselves where you want them to. The gap between what AI promises and what it can deliver is at least as large as an uncanny valley, though companies like Google are now trying to build a fluffy PR bridge over it (hence Google's directive that researchers "strike a positive tone" in their write-ups).

Since summer, journalists have been gushing glowingly over GPT-3, the newest level of AI powered language simulation (the New York Times has now gushed twice in six months). It was the late seventies when I heard a professor explain that the search for decent language synthesizing software and artificial intelligence were inexorably linked, and that seems to still be true. 

It's important to understand what AI, or to call it by its current true name, machine learning, CONTINUE READING: CURMUDGUCATION: AI, Language, and the Uncanny Valley

Tuesday, September 1, 2020

Russ on Reading: Vocabulary Instruction: Try Word Riffs

Russ on Reading: Vocabulary Instruction: Try Word Riffs

Vocabulary Instruction: Try Word Riffs



Many young readers hit a wall when their reading demands that they decode longer and longer words. Research has shown that instruction in morphology (roots and affixes) can help readers make this transition. Some excellent resources are available for teaching morphological understanding. One that I particularly like is the Word Ladder approach of  Dr. Tim Rasinski. Word Ladder books for various grade levels are readily available from Scholastic, but lately Tim has been posting Word Ladders on his Twitter feed. You can follow him @TimRasinski1 to get his latest freebies. 

I have had success with a variation on the Word Ladder, adding an element of the Think Aloud, in my own teaching. I call it, for lack of a better term, the Word Riff. The idea of the Word Riff is to help students use morphology in decoding, expand student vocabulary, and turn students on to the richness and logic in the English language. 

The Word Riff grows out of each students' Vocabulary Self-Collection Notebook. As a part of the student's interactive notebook they keep for my class (a place for reflections, reading responses, notes, etc.) I ask the students to collect new, unknown and interesting words they run across in their reading. The student is asked to identify the word, the context (sentence) the word was found in, a best guess definition of the word, and a dictionary definition of the word. If you would like to read more about the CONTINUE READING: Russ on Reading: Vocabulary Instruction: Try Word Riffs

Monday, August 31, 2020

To “Be” or Not To “Be”: Moving Beyond Correctness and Stigmatized Language – radical eyes for equity

To “Be” or Not To “Be”: Moving Beyond Correctness and Stigmatized Language – radical eyes for equity

To “Be” or Not To “Be”: Moving Beyond Correctness and Stigmatized Language



ESPN radio has recently shaken up their on-air personalities across the daily schedule, notably replacing the morning slot held for many years by Mike & Mike (and a recent fractured version after Mike Greenberg left) with a clear signal toward diversity— as reported by Andrew Marchand:
And now, look who is moving into the predominantly white sports-radio neighborhood beginning Monday. It’s Keyshawn, Jay Williams & Zubin Mehenti….
How will it be different?
“First of all, we are three minorities,” Keyshawn said. “That is No. 1. There haven’t been three minorities that I know of on a morning national sports show.”
One of the traditional areas where radio and television in the U.S. has had a strict lack of diversity is the use of language; talking heads—even late-night talk show hosts—practice something of a radio voice (lacking distinct regional pronunciations) and so-called “standard English.”
While listening to the new and more diverse morning radio show on ESPN, I heard Keyshawn Johnson say about a river they were discussing that people “be jet-skiing” in it. The trio’s reactions made it clear this waterway was not safe for recreation.
Since it is early in my first-year writing seminars, I am still helping students re-orient their attitudes and assumptions about reading, writing, and language. A foundational re-orientation for my courses is moving away from seeing language use as “correct” or “incorrect” (as well as rejecting terms such as “standard English” and “non-standard dialect”) and cautioning students not to stigmatize language use as some distinct flag for intelligence or moral/ethical character.
Johnson’s use of “be” to capture a continuous “presentism” of an action along with the omission of “to be” verbs (“Keyshawn home all day”) are often markers for what some call “Black English” (I was taught about Black English through the work of Dillard in the 1970s, but “Ebonics” and “AAVE” have also been used to designate this language usage pattern).
Few people are likely to recognize that ESPN’s new line up is more than racial or cultural diversity; Johnson embodies the importance of language use CONTINUE READING: To “Be” or Not To “Be”: Moving Beyond Correctness and Stigmatized Language – radical eyes for equity