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Sunday, June 14, 2015

Fraud at the Heart of Current Education Reform | Creative by Nature

Fraud at the Heart of Current Education Reform | Creative by Nature:

Fraud at the Heart of Current Education Reform

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For many Americans it is becoming increasingly clear that the people behind current education “reforms” in the United States are purposefully attempting to sabotage the nation’s schools and deceive the public. Such is the story shared in a new book Common Core Dilemma by Mercedes Schneider and a documentary Education Inc coming out this August, by filmmaker Brian Malone. It’s a tale that was told last year by Diane Ravitch (see this excellent March 2014 Bill Moyer’s interview) and in Building the Machine: The Common Core Documentary. Here’s a summary of the fraud that is being perpetrated, a Letter to the Editor which I wrote to a local New York state newspaper last March…
Fraud at the Heart of Current Education Reform
There’s a scene in the film Dead Poet’s Society, set in 1959, where Robin William’s character Mr. Keating asks his students to read from the introduction of a poetry textbook. The text describes a rating method by which one can measure and assess the greatness of poems. After charting and rating a poem on the blackboard Keating tells his students this method of assessing poetry is “excrement.” Next he instructs them to rip the entire introduction out, which they proceed to do, putting the pages into a trash can.
ab16ee1eda360fe8a5836df4d760fa2a“This is a battle, a war, and the casualties could be your hearts and souls,” Keating tells his students. We can’t understand poetry by measuring it with numbers, by comparing and ranking poems. We don’t study poetry in order to get good grades. “We read and write poetry,” Keating says, “because we are members of the human race. And the human race is filled with passion.”
The film goes on to show how the students learn to express themselves creatively, to experience life more deeply as they come to appreciate how their lives are like verses of poetry. Both Williams and his character Keating encouraged all of us to live as poets, with gratitude and passion, to cherish the beauty of life, to appreciate our own uniqueness, and not to measure, rank or compare ourselves with others.
It’s an important life lesson, which unfortunately the architects of 21st Century school reform either do not understand, or do not care about. Since 2001, when George Bush’s “No Child Left Behind” policies were put into motion, we’ve experienced a nation-wide obsession with assessment, ranking, testing, measuring, and quantifying both students’ Fraud at the Heart of Current Education Reform | Creative by Nature:

Schools for Democracy – Deborah Meier | Creative by Nature

Schools for Democracy – Deborah Meier | Creative by Nature:



Schools for Democracy – Deborah Meier

Deborah Democracy
I’d like to share some insightful observations from one of the “real” pioneers in education reform, Deborah Meier. In this presentation she made in Chicago, from 2006, Dr. Meier talks about how most of America’s schools function as authoritarian institutions, where democracy and collaboration are neither practiced, taught, experienced or modeled.
This is a huge failing of our nation, because in order for children to truly understand democracy they need real life opportunities to observe and apply it. Dr. Meier’s insights are aligned with the ideas of progressive educators such as John Dewey and Maria Montessori, as well as the research of Barbara Rogoff, and the theories of Lev Vygotsky, about the role of apprenticeship experiences, adult modeling and scaffolding with children’s learning.
In another presentation, she said:
“The motives of the drivers behind NCLB—which fixes in law our misplaced obsessions—vary, but between them they have helped create a climate that removes democracy from our schoolhouses. Folks like us who advocate a different kind of childhood are on occasion labeled elitist, failing to confront the gap between advantaged and disadvantaged that requires that we throw overboard the frills of childhood along with the frills of local democracy.
“The” poor need, our critics argue, something different—something more akin to a boot camp with a boot camp approach to intellectual skill and authority. And to this end, they say, we must cut out our romantic love affair with local democracy.”
I would argue that Dr. Meier’s ideas are not romantic, and that designing schools for democracy is an idea whose time has come. It’s also something that is backed up with real research evidence, and has already been successfully implemented in many places.
A few months ago, in the New York Times article Make Schools a Democracy, UC Berkeley Prof. David Kirp described how the Escuela Nueva (New School) model has been flourishing in thousands of Columbian and Latin American schools for decades:
“Escuela Nueva turns the schoolhouse into a laboratory for democracy. Rather than Schools for Democracy – Deborah Meier | Creative by Nature:

First Marylin Zuniga – Now Art and Humanities Classes – Cops Calling the Shots in Discourse at NJ Public Schools

Decarcerate The Garden State: First Marylin Zuniga – Now Art and Humanities Classes – Cops Calling the Shots in Discourse at NJ Public Schools:

First Marylin Zuniga – Now Art and Humanities Classes – Cops Calling the Shots in Discourse at NJ Public Schools



It started with the persecution of Marylin Zuniga.  She is the elementary school teacher whose students wanted to send get well cards to Mumia Abu Jamal, a former death row incarcerated man who was convicted in a sham trial over seen by a judge with proven racist beliefs.  Mumia Abu Jamal has been denied access to adequate health measures and has been subjected to medical and dietary neglect resulting in severe health deterioration.  Ms. Zuniga allowed some of the students to write cards out to Mumia as an after class work voluntary activity.

The Philadelphia Fraternal Order of Police, a scandal plagued organization whose members have been involved in police violencedrug related scandals and other corruption complained about it and the media broadcast the complaints resulting in a massive backlash agains Ms. Zuniga and ultimately to her being removed as a teacher – inspite of massive community protests in defense of her.

Now the stage is set in NJ – the police are getting to the point of calling the shots of what is acceptable discourse in the halls of NJ public high schools.  In at least two cases so far, police have intervened in attacking educators and high school students – one case an art class project and in the other case a humanitarian class project.  The pressure from the police is effective – both in intimidating administrators to the point of acquiescing to the police demands and also in creating a chilling effect where administrator, educators and students will likely think twice before freely expressing their views about the violence and impunity emanating from today’s policing.

First there was an art project at Westfield High School.  Students there expressed themselves artistically in pieces that were themed around the protest of the ongoing killing with impunity – 
throughout the USA as well as in NJ.  News report:



In this case the art was exhibited for a couple of days at an art show and police and media went haywire that students would dare to criticize police impunity.  By the time the superintendent responded the art show was over so no repressive measures were taken to censor the art.  A superintendent letter was issued attempting to clarify the situation – and contain the controversy:
 
I have to give the superintendent credit for tactfully rebuffing the attempts to attack the art exhibit – hopefully though it will not result in suppressing future free expression by students at Westfield High School.

The more recent flare up does not have such a result however.  In this case it was a humanities class in which posters addressed several sides of policing issues – including critical of police killings with impunity –on the hallway walls of the school.  Once again – cops – perhaps emboldened by Marylin Decarcerate The Garden State: First Marylin Zuniga – Now Art and Humanities Classes – Cops Calling the Shots in Discourse at NJ Public Schools:



Special Nite Cap: Catch Up on Today's Post 6/14/15


SPECIAL NITE CAP 

CORPORATE ED REFORM





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CURMUDGUCATION: Building Social Capital

CURMUDGUCATION: Building Social Capital:

Building Social Capital





Top of my serious summer reading list is Robert Putnam's new book, about which I expect I'll blog plenty once I've read it. But I assigned myself a pre-reading exercise. I'm going to write out what I think I understand about social capital and where it comes from.

Social capital is a kind of fancy term for a quality that is critical for education, but also for pretty much everything else, and it's another way to understand the differences between rich and poor, powerful and powerless, that goes beyond simply saying, "Some people have money and some people,  not so much." And if you like your social studies woolgathering to have some science included, I've written before about this long study in Baltimore by John Hopkins. The marque headline was that family and money "cast a long shadow," but what was really casting the shadow was social capital.

I feel like I know a little something about social capital because I have lived most of my life in the same small town, and when we talk about how the quintessential small town is different, I think one way of understanding what we're talking about is social capital-- though even in small town America, we're losing it, and have been for a century or so (I've read Putnam's previous work,Bowling Alone-- everybody should).

So what do I think are some of the critical elements of social capital, why do they matter, and how have we stopped building them? 

Interconnectedness

In a small town, everybody knows everybody. This does not mean that everybody is friends, but there is a level of familiarity that creates a sort of comfort that comes from having known somebody for decades so that every encounter is not charged with the sort of defensive fling-out that marks so many simple encounters in a big city. And it means that after decades, we may not be buddies, but we have an understanding, even to the point that w get along well because I know who you are and how you are and it's like the local climate-- it just is what it is.

Part of that interconnectedness is that we encounter each other in a variety of roles. The guy who 
CURMUDGUCATION: Building Social Capital: