'In this video produced for the exhibition at the Museum of Contemporary Art Chicago, Abloh discusses his wide-ranging influences and the creative philosophy that has shaped his career in fashion and beyond.' -- Museum of Contemporary Art Chicago
'Dial-up, floppy disks, Listservs. If you don’t know what any of these terms mean, you weren’t using computers back in the '80s and ’90s. Use this reel to brush up on your early digital era history. You’ll be schooled by programmers who created created ctrl+alt+del and Tetris, an artist who makes drawings with Excel, the voice behind AOL’s iconic “Welcome! You’ve got mail!” message and the last m
'The Alvin Ailey American Dance Theater, founded by the groundbreaking dancer-choreographer Alvin Ailey (1931-1989), is celebrating 60 years as one of the world's preeminent modern dance companies. Rita Braver looks back at the legacy of Ailey, including his school for aspiring dancers, and talks with those who succeeded him as the company's artistic director, Judith Jamison and Robert Battle .'
'In 1965 at the University of Cambridge, two of the foremost American intellectuals were challenged with the question: ‘Has the American Dream been achieved at the expense of the American Negro?’ From William F Buckley ’s highly stylised posturing and pointing, to James Baldwin ’s melodious rhetorical flourishes and memorable scowls, what’s become known as the ‘Baldwin-Buckley Debate’ now stands
'Some are familiar with New York’s underground ballroom scene through Madonna ’s Vogue or films like Paris is Burning . This subculture has been recognized for creating the inventive dance style voguing, but they’ve also created a music genre that’s all their own. Nahre and LA traveled to New York to meet MikeQ , the founder of the first ballroom record label: Qween Beat. MikeQ invited us to Hous
' Dr. Lisa B. Thompson is a celebrated playwright who is currently teaching at University of Texas at Austin. Her latest production, The Mamalogues , plays at the Vortex Rep beginning August 23, 2019.' -- theatre corner
'In 2011, the United States Breastfeeding Committee declared August National Breastfeeding Month , as a way to promote and support breastfeeding. But the decision to breastfeed, and access to resources around it, can vary a lot depending on your race. In the U.S., white, educated women are more likely to breastfeed and for longer periods, and some reasons for that are deeply rooted in our nation’
' Janet Mock remembers when she saw the documentary Paris is Burning for the first time. She was in 10th grade, living in Hawaii, and had already socially transitioned her gender identity. She was about to embark on her medical transition. That same ball culture she saw in Paris is Burning would come up again in her career, decades later. After launching a career in journalism, writing two memoir
'Cannonball Adderley was a mere 46 when he died, of a brain hemorrhage, in 1975. An alto saxophonist of robust intellect and irrefutable soul, he left a monumental legacy during his two decades in the spotlight — as a member of the Miles Davis Sextet, an exemplar of 1960s soul jazz and the leading avatar of a brand of post-bop modernism with popular appeal. This episode of Jazz Night In America t
'It’s nearly impossible to turn on the radio and not hear a male artist singing really high. This isn’t a trend — it has been the status quo for decades. Using the data diving know-how of The Pudding, and drawing on the expertise of Anthony Roth Costanzo , a professional opera singer, Vox digs into the world of the high male vocal range by tracking how pervasive it really is across the decades.'
'Step into the studio with 9th Wonder (Patrick Douthit), the legendary producer behind Beyoncé, Kendrick Lamar, Erykah Badu, Mary J. Blige, and more. Find out what makes him one of the most energetic, inspiring, and influential producers in the game – and see how he creates his signature soulful sound with MASCHINE.'-- Native Instruments
'Electric Miles. Few word pairings in the jazz lexicon are apt to inspire so much contention and challenge and ferment. What the phrase refers to, of course, is a period in the career of trumpeter Miles Davis , spanning the last third of his
