Jurassic Education World
Like apparently over half the world's population, we saw Jurrasic World last weekend. Fun film, and we always love the Chris Pratt at our house.
But as with last year's Logo Movie, I could not help noticing that the film underlines how much of popular culture is actually NOT aligned with the values and ideals of reformsters.
Data Driven Control
We know that our female lead is in need of rehabilitation because she is devoted to data. She calls the animals "assets" and cannot bring herself to see them as living, breathing beings. When asked by the owner if the park's visitors and the park's animals are happy, she replied with a customer satisfaction index for the visitors and, flustered, notes that they don't have an instrument for measuring the contentedness of the dinosaurs. The owner says one has to look the creatures in the eyes-- she doesn't understand what he's talking about.
Her unfit nature is further underlined by her inability to relate to her nephews. The character's moral journey involves learning to empathize, to relate, to connect to the children and the animals through something other than data and monitors and spreadsheets.
Beyond that character's journey, we have the usual moral of everything ever written by or based on works of Michael Chrichton-- that human beings invariably put way too much faith in their tools and control (seriously-- it's in everything he's ever written). The data control dream is that if we know everything, we can control everything, and if we control everything, we can make everything turn out exactly the way we want to. The film underlines the inherent falsehood in every clause of that sentence: we can't know enough, knowledge does not bring control, and the chaos inherent in any complex system guarantees unexpected and unplanned for outcomes.
Our unfit, morally adrift park manager is just like a data-driven school reformster, certain that spreadsheets and data are sufficient to turn a school into a factory that creates perfect products (aka students). And the pop culture sees that character as one who must be reformed.
Competition
The closest thing to a villain in the piece is Vincent Donofrio's military stooge, the guy who wants to use the barely-trained raptors as a military weapon. But the filmmakers don't position him as an actual official soldier. That would be perhaps unclear to the audience, so they leave him in civilian dress, and rather than talking about power, the writers give him a speech about competition.
The speech strikes all the notes we know-- competition will bring excellence, it pushes folks to greatness, it kills off and weeds out the weak and unfit. And the audience knows he is absolutelCURMUDGUCATION: Jurassic Education World: